History lives within us. Knowledge is always on the move. Raven Chacon, in his Deep Time: I See Red interview at the Fruitmarket in Edinburgh, called it “knowledge in the bones” (2025). These are sticky notes that show how some works leave residue that can be later activated, showing new possibilities within one's own ever‑evolving archive. A catalyst between the now and then, the remanences of the past cannot be separated from the present, so in this way it is reactivated anew.
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My approach to time within “dancing-with” intentionally resists linear, teleological models of time and knowledge formation. Instead, I understand time as fluid and emergent, qualities integral to both my artistic practice and pedagogical methodology. This perspective resonates with the work of Elizabeth Grosz, who conceptualises time as a process of becoming, inherently unpredictable and generative. Similarly, Karen Barad’s notion of intra-action emphasises the entanglement of bodies, materials, and temporalities, challenging fixed points of origin or resolution. By drawing on these contemporary theorists, I position my methodology within a framework that embraces emergence, openness, and the continual (re)making of meaning in the present moment.
Alchemy is a section comprised of works and experiments dating back from 2012 to the present day. These sticky notes and photographs assist me in making connections through recurring materials and actions. Rather than creating a lexicon, it serves as a method of understanding the fragility, malleability, and persistence of memory.
Reoccurrences
Exchanges
